MATTHEW LOGOS BY STEVEN KLEIN
MATTHEW LOGOS (RE: QUEST)
«CUAL ES MI CUALIDAD MAS HOT? TU DÍMELO»
EY! MAGATEEN # 9 S/S 2014
«SOY UN SEXY BASTARDO»
PHOTOGRAPHER STEVEN KLEIN
Entradas etiquetadas como ‘REQUEST MODEL’
CHRIS COLTON BY STEVEN KLEIN
CHRIS COLTON (RE:QUEST)
«PERDI MI VIRGINIDAD A LOS 15,…»
EY! MAGATEEN # 9 S/S 2014
«QUIERO CREER QUE LOS MAS HOT DE MI ES MI CEREBRO,…»
PHOTOGRAPHER STEVEN KLEIN
«ME MASTURBO CADA UNO O DOS DÍAS…»
ALESSIO POZZI
ALESSIO POZZI (ELITE)
MODELO ITALIANO DE 1.89 M
FIRMADO POR LAS AGENCIAS:
ELITE – MILAN Y BARCELONA
3MMODELS – LONDRES
RE: QUEST – NY
RYAN BERTROCHE BY DOUG INGLISH
RYAN BERTROCHE (REQUEST)
NUMERO HOMME CHINA #5 F/W 2012
«DOHENY DRIVE»
PHOTOGRAPHER DOUG INGLISH
LODEN DAGER SPRING 2012 MENSWEAR
JOHNNY GEORGE (DNA)
Though Loden Dager‘s inspirations ranged from sixties Brazilian architecture to Paul Klee—as Paul Marlow explained at his studio a few days before showtime—the thing that rang clearest through the show was suburbia (and SubUrbia). Marlow imagined all the young dudes hanging out in parking lots, loitering, and lounging. The key moment was when Ol’ Dirty Bastard’s «Shimmy Shimmy Ya» (a.k.a. «Ooh Baby, I Like it Raw»), one of the white-boy radio-rap jams of the nineties, first came blasting through the speakers.
COREY BAPTISTE (VNY)
As the guys started walking (running, really) with their Nike sneaks and pants with one leg rolled up, you could have been outside any 7-Eleven across this great nation 15 years back. That’s a very specific nostalgia to channel, but if it hits you, the way it hits you is, well, raw.
SIMON VAN MEERVENNE (VNY)
In reality, the kids back then never got as polished as this. There were cuffed tailored shorts in place of droopy saggers, and double-faced jacquards for flat prints. A hoodie sweater Marlow called a «wet-suit cardigan» zipped (and unzipped) all the way up the back, hem to hood. Mesh insets in shorts, jackets, and tanks kept it sporty (and allowed for the clever little mesh pocket squares).
NICOLAS RIPOLL (WHILHELMINA)
It all came in vivid, saturated colors like royal, orange, cranberry, and fuchsia, as well as a few cool paisleys and a motif of graphic stripes. It’s been a bright season in menswear, but Loden Dager—last season’s atypically black, white, and gray collection aside—always skews bright. Consider it a confirmation of their talent that Marlow and co-designer Oliver Helden still found a way to stand out from the crowd.
PERRY ELLIS SPRING 2012 MENSWEAR
SEAN O’PRY (VNY)
PERRY ELLIS SPRING 2012
Remember when the only men who wore capris were stylish Euros? Well, these days American guys are a lot more style-savvy. «I knew I was taking a risk with the capris,»Perry Ellis‘ creative director, John Crocco, said post-show. «But we had a few capri options for men in stores and they were selling really well, so I thought, Why not?»
FRANCISCO LACHOWSKI (FORD)
Cut cleanly in sand and white linen and ending a few inches below the knee, they were a nice companion to the salmon, mustardy ocher, and periwinkle jackets and knits. The colors were inspired by his recent travels to the Painted Desert in Arizona. «It’s about the traveler, the road trip meets safari,» Crocco explained.
SEAN HARJU (SOUL ARTIST)
With plenty of linen, cotton, and an intriguing chintz-linen blend, plus roomy uncomplicated cuts, there was a pleasant, airy feel to the collection. Crocco added some approachable tailoring touches, such as suit trousers that hit at the ankle and a handsome white-on-white seersucker sport coat.
DAVID AGBODJI (REQUEST)
When he did venture deeper into trends—a couple of color-blocked sweaters might look cheekily right on a svelte downtowner, but you could see the potential for disaster in the wrong hands—it was with a likable, gentle nudge most shoppers will likely respond to.
BEST MALE MODELS 